07 February 2008

Ben's work number


Yep,  722.3232 x191

On Jan 28, 2008 8:52 AM, Eric Schmidt <ereek@rogers.com> wrote:
>
>
>
> Heya: I'd like to bug you with stupid questions about this... can I call you
> at work?
>
> E
>
>
>
> ----- Original Message ----
> From: Ben Wilson <benjamin.j.wilson@gmail.com>
> To: Eric Schmidt <ereek@rogers.com>
> Sent: Wednesday, January 23, 2008 11:37:02 AM
> Subject: Re: new phone service
>
> babytel.ca
>
>
> On Jan 23, 2008 11:36 AM, Eric Schmidt <ereek@rogers.com> wrote:
> >
> > what's the name of the outfit providing your home phone now?
> > E
>
>

10 May 2007

Me Big Shmuck

So, after whining about my bad GCTC audition, I got a callback.
Now I'm going to whine about the callback...

Ok, not really. I'm just going to learn to shut up about 'how the audition went' until I become a more objective judge of my own work. Until then, assume any and all auditions went "ummmm, welll, you knoooowwwwww, just, like, OhhhhKayyyyyy."

For this one, we had a couple days to memorize scenes, and we went in as groups of three, me and two women, and GCTC's playwright-in-residence who was reading the part of the lead.

Regardless of what happens, just getting the call was a huge thing for me. You try to tell yourself that you don't need anyone's affirmation, because the flipside of that is that when you don't get a part - it means you suck. But this isn't true.

Here's an analogy I've used about auditions (cuz I'm so friggin' great): An audition is kind of like playing a hand of poker (Rob McDonk, take heed). To get in, you need an ante. You have to ante up. And your ante is all your preparation, skill, experience, effort, and all the stuff you do to get to the door of the audition. And before the hand is won, you'll use your skill to play. Some palyers are better than others. But regardless of skill, you're dealt random cards. There's always an element of chance, and in an audition, that equates to the whole "fit" factor. You can have all the skill and experience in the world, and just not fit for a certain part. Or, you may be a slightly better actor than that person over there, but they fit the role just that little bit better, and that cancels out your extra skill. And 'fit' is sometimes completely intangible, the director just feels it. Or maybe you just had a bad friggin' day ....
What I'm trying to say is that when I got the callback, what that said to me is: you have enough in your pocket to ante up and play a hand.

so we'll see: do I scratch and win, or play again?

02 May 2007

Ugh

Just did my GCTC audition. I have no idea how it went. Wait, scratch that. I do know how it went: a little shmackty. I mean, not terrible, but I wasn't working at 100%. When I did my 2nd monologue, I got "Hmm, interesting monologue." And of course, I didn't ask "oh, how do you mean?", so now it's killing me.
Anyway: I did do my homework, and partof that was answering the question: "what is this guy trying to achieve?" For each of my monologues. And I answered the questions, but I think that I forgot my objectives once I got rolling... Anyhow: lesson learned, and I now have one professional theatre audition under my belt.
I also learned that the current artistic director at GCTC is not the type of person to cut you off mid-monologue and say "that sucked", which was one of those irrational nightmares I'd been having (what do you call a nightmare when it's a daydream?). She and the playwright in residence were both very nice, and put me at ease before starting.
I wish I had done better, but overall a positive experience which has done a lot to allay my fears.
E

30 April 2007

Just Keep Swimming

Yes, it's true.
 
I'm alive.
And well.
 
Ok, acting:
I did another course with Michèle Lonsdale Smith, via A.C.T., and for the FIRST TIME, I wasn't shmackting my ass off all over the
place. I was able to act with ease, to follow my own impulses and change direction in the scene, to drop any ideas I had about
the outcome, and to listen to my partner...Finally. This was only, like, my sixth kick at the cat. That's one sore pussy. (sorry,
had to.) My acting teacher has faith in me, and I'm finally starting to come around.
Basically, I feel like I've reached the base of the mountain. The real work starts now...
I've booked some acting work in the interim, a mostly "industrials", i.e. videos that are for educational or advertising
purposes, one of them is a video to be used for fundraising by the Ottawa U Medical Institute's organ donation program. Both of
my kids were in it as well as me. The other was a video about RESP's by Service Canada, I believe ... and I think it's a DVD that
they will send you if you call 1-800-O-CANADA and ask a lot of stupid questions about RESP's. I just did some voice work for
radio Public Service Announcements (PSAs) for CMHC Mortgage insurance. I'm getting these gigs because I'm: a) Bilingual, b)
Currently non-union, and c) Hung like a horse. Today I learned that, despite what you might think, you really can say the same
line 38 times until "the client" feels like they might possibly have, with some heavy editing, enough material to have something
barely acceptable. Ugh... There's nothing like saying your little line, thinking "Ok, that was good." and then looking out of the
recording booth to see, like, 6 blank-if-not-pained expresions staring back at you...But it's expereince.
The short film that I was in last summer is having its premiere at the end of the month. It's called Bollywood North, and is a
parody of ... you guessed it: bollywood films. I am, of course, not completely happy with my work, but I don't think it detracts
from the film that much. It's quite funny, and the production values are great. Should you see it, let me say this: yes, the
accent is like that on purpose.
I guess the biggest thing that's happened over the last few months, is that I've really made the mental leap of beleiving that
I'm an actor, and not making apologies for myself. The nail in the coffin of the self-doubt stuff was this last acting class, I
proved to myself that I can get out of head, out of that shmacktor place, and really flow. As a result of that mental change, I
put my stuff in for an audition spot at GCTC's General Auditions, and I got one. That's happening May 2nd.
I'm helping out with the production of the play "Fat Pig" by Neil Labute this summer. I'm basically acting as the director's
"research assistant plus", creating 'actor packages' that will help the cast to put the play in context, to point out primary and
secondary themes of the play, information about their characters, etc. Essentially a sort of study guide on the play. I will be
at some rehearsals and in some respects acting as an assistant-director. I'm excited about this, as it will be a good merge of my
actorness and my smartness. And my hung-like-a-horseness. I mentioned that, right?
I auditioned for Third Wall theatre's production of "She Stoops To Conquer", but didn't get it. I'm hoping to get onstage with
them at some point. I also helped Vision theatre with a table read of some scripts, but didn't get called back when it came time
to cast their Fringe Show. C'est la vie. Every single thing you read about the acting business says it's nothing but a wide sea
of rejection with tiny islands of "Here, here's a kibble, fido" few and far between.
It's like Dory said: "Just keep swimming, just keep swimming..."
 
Life otherwise:
Is beyond the purview of this publication, but is going well.
 
E

01 March 2007

There's something wrong with me

I received this today at home, and proceeded to giggle like a schoolgirl in springtime for about half an hour (and in subsequent bursts for the rest of the day:



PLEASE NOTE: As indicated at the bottom: "You must press firmly to ensure a secure seal."

< tee hee >

20 February 2007

Rock bottom?

The following transpired last night:
< start post >

Ok, I think maybe I've hit rock bottom.
I'm in a total dive of a tavern, by myself, waiting for my turn at karaoke to come up...
Jeezus.
But frig it. I wanted to go out and sing karaoke tonight. Spur of the moment. Impulse. So I called a couple friends, they couldn't make it, so I said screw it, and here I am.
I came, I sang badly, I ate onion rings and other fried goods. I'm fighting back that response we're conditioned from high school to feel (imafrigginloserwhatthehellamidoinghere) but, for the most part, I gotta say I'm happy ... Here's why:
Maybe I'm one of a rare few who's willing to sit by himself like a dork, through many goddawful renditions of songs that should have been forgotten long ago, just for those few minutes when some regular shmo .... A shlep like you and I, maybe awkward, or chubby, funny looking, whatever, gets up, and sings like their goddamn life is riding on it. Little people with big voices, lifting them up for us to see. I love that. It makes me happy.
Right now, there's a guy up here, belting out “Just a Giggolo”, and he's having the friggin time of his life...
So, yeah, tomorrow's a schoolday, and I should be going home, but, WTF, the family's safe at home in bed...
Bartender, another coke please (yes, just to add to the dork factor), I'll wait a little longer to see if I get one more song in....

Oh, and, this is all related to acting, somehow, I'm sure,

E

< end post >

so after that, I got up and sang, and I felt great ... overall, I didn't get to sing enough for the time investment, but, like I said, it was worth sitting in my neuroses for a while to see a few good singers do their thing. I found it weird that people didn't clap much, even the karaoke regulars who follow this company around to their various shows. The tavern had kind of a rough edge to it, so maybe applause didn't fit in with the "shut up and drink your beer" vibe... anyway... I clapped. Loud.

I very much look forward to going to Shanghai restaurant here on a saturday with a bunch of my karaoke buddies. That will seem like the goddamn Oscars by comparison.

E

Video blog #1

06 February 2007

'Bout friggin' time

mea culpa, my friends (all 2 of you)... it has been far far too long.
I've returned to Working For The Man, and have not quite adjusted.

In fact, I feel pretty off-kilter these days ... but that's neither here nor there.

Let me talk about acting:

So I take these acting workshops (on paper, they're called "intensives", and it's a more fitting description) with a teacher called Michèle Lonsdale Smith, from a school called Lyric in Vancouver. She comes here, and goes to Toronto as well, a few times a year. She incorporates parts of several related theories of acting in her classes: Stanislavsky, Strasberg and Meisner are the main ones, I think. Stanislavsky is considered the father of "The Method", or method acting.
There are a lot of stereotypes and opinions about method acting and actors, and frankly, I don't give a shit...
What Michèle is after is getting us to "stop acting", and just be ourselves up there. To stop having preconceived notions of how we're supposed to react, and what we're supposed to do onstage, while we're working on a scene. To cut the shmackting, as it's sometimes refered to. That's not "method", that's just good acting.
It sounds so simple, and I suppose for some, it is, but for many, such as myself, there's a significant amount of bad learned behaviour to overcome in order to get to "natural".
I'm getting to the point, I swear.
So, over the course of the last 4 or so workshops (intensives, whatever) I've found myself getting a little bit closer every time. Just a little. A few steps forward, a couple back, some frustration, some elation. But I came to long for guidance from my teacher. "I wish I could just get the answers"...
Not too long ago. A few weeks ago, something clicked. The problem I'd had in the last workshop was feeling like I had no sense of who my character was... again, I "just wanted the answer". Michèle had said, many times over, that we all have the answers already. I nodded, but I didn't feel like I had any answers, I just felt befuddled by everything. But finally, a couple weeks ago, I beleived it. I know it now. Down deep, I realised that if I listen acutely, that if I turn off all the noise, and squelch my ego, I can hear the answers. I know the answers.
I'm still gonna take every class I can. But the one thing that's changed is that my longing for answers isn't pointed at the teacher anymore, it's pointed back at me.
I'm going to learn a ton more valuable stuff from her, and probably a lot more about myself, but I think I've turned a corner, and that I've gained a certain amout of self-reliance in "the work".
I think it's an important step.
Frig, I'm all shaky just typing that.
I've realised that I don't need anyone's validation ... I am my own harshest critic, and best supporter. But I'm still in the very early phases of the trip, so I do still need guidance. BUT you can't confuse a need for guidance with a need for adulation.
Looking back to my experience in university (Computer Engineering at RMC), I could do as well as most other students, but needed to do fully double the amount of practice questions and preparation, and most of the time, I wasn't able to. Time is a very scarce resource at Military College. So, back here in acting-land, I'd already learned that I can be rock solid on my lines, but need to put in that time, a lot of it, and I do it like a soldier. I just keep plodding. What I didn't get, and this is so dumb in hindsight, is that I need to put the same level of effort and time into the other prep work around a character: reading the play over more than once or twice, digging out all the clues about a character, period research, at least a thumbnail sketch of a character history ... all the other angles you need to work when you get a role.
And what I've figured out is this: it's the simple doing of this prep work that allows you to go into the room with confidence. And an honest confidence (not an ego-driven cockiness) allows you to check your fears at the door, and get down to the work of "not acting". i.e.:
"I know this character, and these lines, so now I can stop worrying about it, and just go and do the scene", and just 'be' in that moment, instead of worrying about all the things you didn't do, should have done, might be coming, etc...
Your ego isn't trying to protect you from revealing that you haven't done the work, or slipping a line, so you can just go in and be free of any hindrances.
I'm not saying "If I just work harder everything will be better", which I think is a mistake. With lines, I get to a point where I go "ok, I know these lines", and from that point on, line runs are for maintenance, just to keep them there and 'locked in'. I just need to do the same for character analysis. Do whatever I need to do to get to the point where I go "ok, I know who this is." and then get on with the rest of the work.
I can do that.

There...

So ... I've been to a bunch of plays, and I've seen some great acting, some good acting, and some bad, but all of it has me dying to get back at it.

I can't wait...

I think that's it for now. I have soooooooo much more to say, but I don't want to blow it all in one post, do I?

-E

PS: One-page history of 'The Method'

25 November 2006

Strange

I know it's crappy to not post for months, and then to do one shitty little post like this, but...
How weird is it that I'm here in Vancouver, and while the weather is cold but clear in Ottawa, I find myself driving from South Delta to Downtown Van in a snowstorm?
Yes, everything is snarled.
No, no one has any clue how to drive in this.
But you know what? I'm actually enjoying myself. It's weird. I'm bopping/rocking to bad radio tunes, checking people out as they go by...
Its all just very weird. The world tells me I'm not supposed to feel happy while I'm away from my family, so what I feel underneath a layer of intellectualized guilt is happiness. Selfish as that may be....
Weird, all of it.
E
_____________________________
Sent from my Blackberry Wireless.

22 October 2006

Get Ereek in your inbox

I've added some trickery to my blog so that you can subscribe to receive my posts via email, when I eventually write them. It's over there on the right. No more coming back here and going "jeez, STILL no posts?".
I have Kris Joseph Lizuk to thank for this marvel of blog trickery.
cheers,
E

14 October 2006

Visceral reading

http://www.chuckpalahniuk.net/books/haunted/guts.php

Chuck Palahniuk is the author of Fight Club. He also runs writing workshops whose students refer to themselves as a 'cult'. It's funny, because the same can be said for the group of actors here in Ottawa who study under Michèle Lonsdale-Smith. So it's worth checking out his site. The link above is to a short story of his called "Guts".

***WARNING*** The story is NOT FOR THE FAINT OF HEART.

Many people have found this story to be the most disturbing thing they've read in a long time. I liked it a lot. Visceral. And I'm not making a pun when I say that.

Enjoy,
E

30 September 2006

Sit and Spin

Hey;
The whole "cancer story" thing is really long, and most people won't make all the way to the bottom, so I just thought I'd post the best part of it right here (NOTE: it's meant to make you chuckle, as opposed to, oh, say, shudder uncomfortably, so please choose to chuckle):



How much of a geek am I, that I actually went to the trouble of making a 360-degree spinning picture of my bald head?
-E

26 September 2006

Timeless

I am timeless.
By that, I mean: I HAVE NO FRICKIN' TIME...
I know that it's annoying when people only rarely update a blog. After a while, you stop looking. But it's just a sad fact of life that, when you're taking care of two small kids (albeit with the help of a partner) you just don't have a whole lot of free time. Right now, I'm posting because I can't sleep after being awakened at 4 am by my 9-month old...
I'm also unfortunately addicted to finishing the book that I'm currently reading: "The System of the World", by Neal Stephenson. Stephenson is an author for geeks, who should crown him "Nerd Nobel Laureate". In any case, "The System of the World" is the last book in a massive trilogy called "The Baroque Cycle", and I'm finally nearing the end.
Almost every day, something happens, or I have an idea, and think "great, I'll post that", but then I don't get a chance, and wind up not posting. Aaaaarrrrgh! I think I need to start walking around with a little notepad like "Colombo". (you'll only get that reference if you're 30-ish). Here are a couple hings I was going to post about at length:


  • On the kindness of strangers I was recently in a Tim Horton's with the aforementioned 9-month old (who is now stirring again at 05:30). There was a huge lineup, and "nine-mo" (as I will call her) was squawky, so I sat down to feed her in hopes the queue might wane. I kept looking back over my shoulder to check it... Well, some kind soul in the lineup mus have noticed my perturbation, and bought me a coffee. So I was going to write more eloquently than this about it, but that didn't happen.

  • On the nature of natural So I was listening tot he radio, and Pierre Pettigrew (Minister of Foreign Affairs) was interviewed, or was in a soundbite or something, and I thought: "What a weird accent ... If I got up on stage and did that accent perfectly, people would say: 'What the hell is that?' "... I had that reaction not too long ago while watching "Guy X" (or try the IMDB entry It's a movie with Jason Biggs, featuring Ottawa's Sean Tucker) in which actress Natasha McElhone spoke with this, um, very unique accent, and all I could think when she spoke was "what IS that accent?" ... Likewise with Daniel Day Lewis in "Gangs of New York". I guess it got me thinking about choices: not the dynamic, on-the-fly choices actors are supposed to make based on their gut and heart when they're in the moment, but the choices that they make when they're building the character, making intellectual choices about them, their history, their physicality. If you make a choice that's perfectly valid (i.e. maybe you actually saw/heard someone with the same trait in the "real world") does it serve the story, serve the character, if all people will do when they see or hear you is say: "What the $X*%#!@ is that?" ... I'm sorry, the preceeding was just random musing with no identifiable point


Well, there, I posted something...
E

16 September 2006

My Cancer Story posted

Hey:
Please read the post below, and let me know what you think.

Also, I've posted my Cancer Diary from way back in 1999/2000, when I was in cancer treatment for Hodhkin's disease. It's very long, but worth remembering if someone you know is looking for information on the subject.

cheers,
E

13 September 2006

A Meditation On The Pushing Around Of Little Old Ladies

[Sorry, this is a “what I did today” entry, no acting relevance whatsoever. It's been 'in draft' for several days now, as I try to piece together a few minutes at a time to write. This parental leave thing is really cramping my style... anyway, it's both a true story, and a stab at creative writing]

As I entered the main lobby of the Riverside clinic, my eyes adjusted from the brightness outside. An assortment of mostly non-ambulatory, mostly elderly, patients waited with their wheelchairs, walkers and canes, to be picked up by someone. It had been almost 6 years since I last came here, and so I couldn't remember where to go. I walked up to the "You are here" map, and started looking for radiology. A little voice from off to my right interrupted: "Excuse me?" I looked over, and down, to see a little old lady in a wheelchair, looking up at me with wide eyes. "Can I ask you a little favour?". She was West Indian, so it came out "kyan ah ask you for a little fay-vah?". She was so tiny, pushed into her wheelchair by the weight of two big purse/duffelbags in her lap. "Sure," I said, and bent down so we could be face-to-face-and-handbags. "I need someone to push me to physiotherapy..." She was contrite, her voice so low as to seem conspiratorial. "Oh, no problem!" I said, straightening to find physio on the map board. "But..." she said. I turned back to her, an eyebrow raised (or at least that's how it felt to me).
An aside now: what sort of shitty world do we live in, that at this point, I started to feel like I was about to get a pitch for some sort of rip-off? That I actually began steeling myself for what would eventually end in "that's why I need twenty dollars, dear". I feel like a complete and utter ass, now, for having felt that way then, but that's how I felt. In retrospect, it's absurd, ludicrous, that I suspected, even for a moment, that this frail little septuagenarian was some sort of ruthless charlatan, a calculating mountebank performing con-artistry in the halls and waiting rooms of the city's healthcare institutions. In any case, she completed the sentence:
"... But I'm starving and just want to get myself a sandwich in the cafeteria first, could you push me there?"
Shame ... Relief ... Love... all at once. I think the end result was that I smiled. Of course, I felt like bashing myself to death with buddy's walker for being such a cynical jerk just a second before, but that was in the past, and I now had a mission to complete: "Good Lord, of course, no problem. Where's the caf?", I said, already craning to check the bloody wall map again. But she was now all smiles herself. It was as if I'd just offered her one of my lungs. "It's right over there. God bless you, you're an angel. Oh my..."
I had to start pushing her or I was going to get weepy...
"What is your name, my angel?" (Picture now, a 6'1", 210 lb guy, pushing a 90 lb old lady, blushing like an embarrassed private-school boy). "Eric. What's yours?"
"Oh," she laughed girlishly,"I'm black Mother Theresa." I chuckle back. "Fine, I'll just call you Mother."
I guide her to the sandwiches and help her pick out a vegetarian wrap, after sizing the alternatives. "Have you eaten, boy?" 'Boy', she calls me ... From 36 to 11 in the space of one word. "No ma'am," I don't know where the ma'am came from, reflex, I guess, "I'm ... uh, well, I'm here for a CT scan."
"You're here for what?"
"A Cat-scan, and I can't eat beforehand."
"oh, I see..."
We get to the front, and I pass along her request to have her wrap warmed. One of the ladies peers around and recognizes her. A brief, warm exchange follows, in which the most-used personal pronoun is "Dear".
"And how much for a chocolate bar?", she asks the cashier. Old ladies, I think with a smile, they sure like their sweets. Some confusion ensues, as 'Mother' doesn't have a chocolate bar in her hand to ring up. I intervene and ask the cashier to ring one in, then we'll go and pick one out. Mother is a bit befuddled by this exchange, but we straighten it out, and roll over to the 'chocolaterie'. "Oh, just pick any one out," she says, with a wave of a hand, still stashing change in a handbag cavernous enough to consume me whole were I silly enough to lean too far over it. I pick a Dairy Milk and present it for inspection. Now the accent comes out: "An WHY you wan' go an' pick a SCRAWNY little 'ting like 'dat?" ... Ok, I now love this woman. I scuttle back to the display and find this big caramel-filled Aero-bar thing. I hold it out, and don't even look up, 'cuz I don't want to see the handbag coming if it does. I will meet my maker wincing. "Dat's bett'AH. Now ... that's for you, for after your scan-thingy." "But..." she stops me mid-stammer: "Don't argue. I will feed my angel! And that is that." To argue at this point would be to risk handbagging: "Well, thank you very much, then," I say.
"No, dear, thank you, and God bless you," she says, patting my arm.
Her wrap emerges from the warming process, and now we're faced with what to do with it while we roll to the physio waiting area. I suggest that I can hold it and push simultaneously. "But you don't have five arms!" she protests. "Don't worry, Mother, I can push you 'round with one hand." We chuckle at this, the lamest joke ever. But what can I say, it's a friggin hospital, you take your humour where you can find it.
She blesses me in the name of God, again.
"Oh, Chris..." she says, distractedly, I think she means me, but am not sure. "Err ... who's Chris?"
"Well, aren't you?"
"Uh, I'm Eric."
"Well, who's Chris then?", a bit like this was all my fault.
"Um, I don't know..."
If Mother does indeed have some form of dementia, it's well hidden, as this exchange is just mildly funny, like she was caught pulling a name from out of a reverie. There's a moment of silence as we roll on down the hall, she moving her baggage, and me craning to read signs.
"Well, Eric," she emphasizes my name, "have you ever noticed how we all have angels looking out for us?" I smile again, and decide to myself that I can infer the broadest definition of "Angel": "Yes, I've noticed a couple here and there. And ... I guess, there were probably some I never got to see."
"Oh my, yes," she laughs here, and I just feel happy.
"Well, here we are," as I roll her up to the reception desk, where a young staffer in scrubs looks up to see us: "Hi there, you have an appointment with..?"
"Let me find my yellow thing," Mother answers, mumbling, into the chasm that is her bag-of-holding. Now, I'm not often accused of being a genius, but I can tell she's looking for an appointment card. Clearly, miss scrubs-and-lisa-loeb-glasses doesn't get this: "Do you know who you're here for?", she intones, using that condescending yelling-for-the-elderly voice. "Well," Mother answers, "I'm here for the person I'm going to see, of course."
Boo-ya... I would have high-fived her but for the risk of breaking her hand.
Blondie is taken a bit aback, and is about to patronize some more, when Mother finds her appointment card in the 4th sub-level of the East Wing of her handbag: "There, dear." Blondie is now all contrite smiles, and announces to someone over the PA that her 1:30 is here.
I wheel her over to the seating area, and help her set up so she can eat her sandwich. I wish her well, and she grips my arm as she thanks me again, invoking the deities and all.
As I'm turning to go, she calls: "Oh, and don't forget!", I turn back, again with the perceived eyebrow raised. "Mind you eat something with that bar. You can't eat chocolate on an empty stomach!"
She's too bloody priceless for words. "Don't worry, I won't. Take care, Mother."
She chuckles, and adds: "God bless you."
"God bless you, too..."
I turned, and left.
And I thought: God bless her.

12 September 2006

Another book will solve the problem!

So, based on a recommendation from the woman who plays "Pam" in the American "The Office" (Jenna, see right) I've ordered "The Artist's Way: A Spiritual Path to Higher Creativity" by Julia Cameron.
I'm put off by anything with "Spiritual Path" in the title, as it gives me the impression that I'll wind up wearing nothing but beads [butt beads? -ed] and freebasing incense, but ... it's supposed to help you get the ball rolling with writing.
I think it's just a small part part of a vaster tendency to want to throw money at a problem to make it go away (that is, any problem that doesn't own an ass you can stick a boot in)
we'll see...

06 September 2006

Holy frigging crap. (OR: blink ... blink)

Jeezus ... I've been meaning to post ever since I got back from our family trip to the east coast, but life has gotten in the way. I had actually composed a post a while back, left the computer, and lost the post when I got logged off ... arrrgh...
Sadly I don't have tons of actor-stuff to say, though I think about it all the time. There were a couple of things though:
Flicking the switch
When I was in PEI, I was driving along one early morning, with my 7-month old in the back of the car, on a stretch of coastline road. The sun was low over the beach to our left as we follwed a gentle curve to the right. Picturesque. I looked away from the beach when something caught my eye on the right side of the road ahead. I was a young fox, sitting, like a housepet told to do so. I smiled, and felt happy, it such a beautiful scene, and the fox was so cute there. I think I actually started to mutter "hey there little dude" under my breath, but it was cut short as we got nearer, and saw the reason the fox was sitting at that exact spot, so near the road. It was sitting beside the dead body of another, larger fox. A wave of sadness ponded me. My eyes welled up. I took it in for a while, and after the initial gut reaction, I was blown away by the extremes of emotion, and the speed of the transition that I had just experienced.
The reason this resonated with me was this: I think that if I were an acting situation like that one (person feeling one extreme of emotion suddenly confronted with something illiciting a completely different one), my initial overthinking reaction would have me believe that such a quick transition isn't possible, that people don't just flip like switches like that. And I would go through some bullshitty shmackting thing where I slowly go from one emotion to the next ... anyway, you get my drift, I hope: people click from one emotion to another all the time, so it's perfectly reasonable to be taken to extremes of emotion in an instant if the impetus is really there. I guess this requires getting to that acting place where you don't know what's coming next (and yet you still know what to say when it comes)
On Blinking...
Another one is more tenuously related to acting, and just has to do with the way people communicate:
So there we were. Tourists. I don't know what it is about being away from home (a "tourist", I hazard to say) that suddenly makes you completely unintelligible to the locals. We're all Canadians, right? We all speak roughly the same english, n'est-ce pas? How is it that when I ask for directions to the most popular beach in PEI (Cavendish) I get nothing blinking eyes as a response? Why, when I rephrase my question, am I confronted with a furrowed brow, like I'm speaking in some thick accent? Then the person paraphrases my question in a third way, clearly more pleasing to the local ear: "Oh, you want to get to the EAST entrance to the park" (or some such, I forget the details, in any case, it was what I had just said two different ways).
OR:
How in god's name does this happen:
ERIC: "Is that your breakfast menu?" <points to board>
SERVER: "Yes."
ERIC: "Hmmm ... Well, I don't see it there, but could you make me a BLT?"
SERVER: "And what would that be?"
ERIC: <blinks repeatedly>

The point being, sometimes people just plain don't understand the words being spoken to them, although they're spoken clearly in a language they understand. Sometimes these interchanges have no funny outcome, and don't play hilariously on double meanings, or other such devices. I don't think I've ever, on stage, had to "not understand what is being said to me". Not in the sense of: "You're talking about a subject that I know nothing about", but more like: "I understand the individual words, but ... WTF?"
<blink> <blink>

ok, that's it for now ... don't want to overuse my atrophied posting-muscles.

27 July 2006

Picture

So I found an appropriate picture, it's over there on the right...
E

26 July 2006

Schooled in Saskatoon, and: Transamerica

This past weekend, I was at a wedding in Saskatoon. I won't go into a "what I did this weekend"-regurgitation, but it was the most fun I've had in quite some time. Did I mention we left the kids at home with Grandmamman?

Right, so, it's the wedding reception, and there's a band, and they're playing an awful lot of oldies. At most weedings, this peters out when the older members of the crowd take off. But this night, they, and everyone else, stayed on the dance floor. Don't read any "tone" here: everyone was having an awesome time, but you could tell that the under-50 crowd was maybe hoping for some newer music.

The bride and groom had both asked the band if it was ok for guests to get up and sing (with the band), and they had readily agreed. I wanted to, but I wan't going to do it before the crowd had mostly gone home, cuz the reception isn't about me (though everything else in the world universe is). So, at 12:45, with only 15 minutes of playing time left, and everyone still out on the dance floor, I finally go up and ask if they know any Tragically Hip tunes: yes, Blow at High Dough. Great, it's one of the 2 songs I can actually sing.

So, I go up, much to most people's surprise, and do it.
(one minor digression: no one was more surprised when the band announced this than the father of the bride, whose name is Eric, and thought they were calling him up)

Now, I've done this song at karaoke a couple times before, and I didn't do it any better or worse than before, but the crowd went wild. I mean, eyes-wide-open-and-hands-in-the-devil-sign-rock-the-house wild. I was a rock star for a night. Much high fiving and congratulation ensued.

What I learned that night

Sometimes, people are in the mood. Sometimes, they're not.
When they're in the mood, don't give yourself all the credit.
When they're not, don't give yourself all the blame.

My acting teacher, Michèle Lonsdale Smith, from the Lyric school in Vancouver, once reminded us all that a true artist is always "quietly critical". The 'quietly' part is important to remember, though...

Maybe all this is obvious ... but it bears repeating.

ALSO!
I saw Transamerica last night.
This is the best movie I've seen in a long time...
Minor criticisms: some of the humourous parts were played up a bit (I can understand why, but...) and the soundtrack pulled me out of the story a little at times.
Other than that, fantastic.
I had no idea Graham Greene was in ... I love that guy...

cheerio,
E

24 July 2006

Killer Track

Ok, the following contains foul language, but MUST BE HEARD:
Dick Is A Killer, by Rx

funny, yet sad at the same time.

Website: The Party Party: The Revolution Will Be Televised

19 July 2006

Some actorblogs...

First, I'd like to thank my friend Rob for introducing me to the hordes of online poker players on his blog (like, 4 of them). Rob isn't an actor, but he looks like either:


Rob suggested that I re-post the "blog" I made in 1999 (back then, they were called "web pages") when I was going through cancer treatment. I think I'll dig them up, and re-post them. That was some funny shit. Allright, not really, but...
Ok, actorblogs:
Here's an amazing post from a great blog (check her latest entry) called Jesus' Favorite. She sometimes refers to "Wil", who is Wil Wheaton, once Wesley Crusher on Start Trek The Next Generation, now quite an avid Texas Holdem player (although Rob did beat him). He's an author and still acting. Dude got a bum rap after Star Trek...
Another actorblog recently pointed out to me by Kath is Jenna Fischer's blog. She plays Pam Beesley in the NBC version of The Office (which I think BBC Office fans shit upon waaaayyy too hard. It's a good show, and and carries the spirit of the NBC version well) NOTE: this blog is hosted on MySpace, which requires you create an account to see the blog. I did, and haven't received any more spam than usual as a result.
Awright, more shit as I think of it...

18 July 2006

Presence of mind...

One of the myriad "things-that-are-difficult-to-explain-about-acting" is the concept of being present. Long story short, it's pretty much how it sounds: are you mentally focused on being in the scene ... or are you just thinking of your next line, where the hell the wineglass that you're supposed to drink from ten lines from now is, did I bring my shoes for the cast party, etc...
It's very easy to spot an actor who's completely not present, but harder to tell with the shades of grey, when someone is mostly there, or kind of there. I could go on, but suffice it to say that it's the type of discussion that sustains actors for hours, but draws mostly blank stares from ordinary civilians who lead normal lives.
[Cut to: today at work]
So I'm getting on the elevator, and a woman walks out as I walk in. Just as the doors are closing, she realises that wasn't her floor, and dashes back in, shaking her head. "That happens to me a lot", sez I, "you get lost in thought, or whatever, and get off the moment the doors open." Sez she: "Yeah, God, I'm just totally not here."
I almost blurted out "Ah, you're not present"... but didn't ... for the same rason that I wouldn't tell her a joke in Armenian (if I knew it). In any case, if I had to explain 'present' to an average joe, it seemed to me that she, at that moment, would get it.

I'm thinking that, maybe, I'll focus my musings here on acting and such...

yes. I'll do that...

13 July 2006

What The World Needs Is Another Blog

I sensed a void in the system of the world today...

I meditated upon it. Attempted to suss out the shape of this hole that needed filling, to eff the ineffable nothingness that sought a thingness to make it whole.

A blog.

My blog.

Ok, what really happened was that, after sligning poop at Rob on his blog, he noted that I had THE WORST BLOG EVER. (it was there, but completely empty).

So, here I am. I searched "google images" for ereek, to see if there was some funny picture I could use for my profile, but I came up empty handed. Yes, it's true, some things are too oblique even for the internet.

I have a dream: millions of people typing in dark rooms, writing about themselves in the third person, in the hopes that someone will read what they write.

E